Ebook Gratuit Woody Allen : A Retrospective, by Tom Shone

Ebook Gratuit Woody Allen : A Retrospective, by Tom Shone

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Woody Allen : A Retrospective, by Tom Shone

Ebook Gratuit Woody Allen : A Retrospective, by Tom Shone

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Détails sur le produit

Relié: 288 pages

Editeur : Thames & Hudson Ltd; Édition : 01 (28 septembre 2015)

Langue : Anglais

ISBN-10: 0500517983

ISBN-13: 978-0500517987

Dimensions du produit:

25,7 x 3,1 x 29,6 cm

Moyenne des commentaires client :

5.0 étoiles sur 5

1 commentaire client

Classement des meilleures ventes d'Amazon:

1.001.438 en Livres (Voir les 100 premiers en Livres)

J'ai offert ce livre à un proche pour Noël. Elle en est ravie! Les photos sont très belles, la qualité du papier est agréable au toucher et les textes sont très intéressants. Je recommande vivement cet ouvrage.

.Reviewed by C. J. Singh (Berkeley, California).WOODY ALLEN: A RETROSPECTIVE is a profusely illustrated, coffee-table book. As a coffee-table book, it can be guaranteed to start conversations. I placed it on my coffee table and two of my guests who didn’t know each other, immediately began talking about Woody’s “Midnight in Paris,” which all three of us had seen.One of the guests liked the Hemingway scene as the best; the other preferred the T S Eliot scene. When asked, I said, "Pablo Picasso, the Gypsy visual artist. Did you notice how dark-skinned he was? Gypsies are an ethnic community originating from India.” The conversation shifted to other Woody Allen films that were precursors to “Midnight in Paris.” We looked up “Purple Rose of Cairo,” “Zelig,” and “Play It Again, Sam” and took turns reading aloud Tom Shone’s essays on these films. The reader of “Play It Again, Sam,” added that he recalled Quentin Tarantino acknowledging in an interview that in his film “True Romance” the character of Elvis Presley giving advice was inspired by the Humphrey Bogart character in Woody Allen’s “Play It Again, Sam.”Over the weekend, I read cover to cover Tom Shone’s highly engaging and learned more about Woody Allen’s films – especially the ones of his forty-five films I hadn’t seen. The book opens with Woody’s biography: “A creature of tidy habits and unerring routine, Woody Allen likes to rise at 6:30 a.m. He gets his children out to school, endures a brief spell on the treadmill, then sits down to write at his manual Olympia SM-3 typewriter which was bought when he was sixteen and still works” (page 6). “In 1952, during his last year at Mildwood High School, Woody Allen daily routine was as follows. He would get out of school at one o’clock, head straight for the subway station and catch the BMT train from Flatbush, in Brooklyn, over the Manhattan Bridge to Sixteenth street and Fifth Avenue, all the writing jokes with a pencil. It was always crowded and Allan would have to straphang, but he would scribble away, and by the time he got to Manhattan he’d have at least twenty-five jokes….For this he was paid $20 a week. ‘There’s nothing to it,’ he said. He was sixteen” (p. 15). Shone cites couple jokes: “The happiest man I know has a cigarette lighter and a wife – and they both work.” “Says Woody Allen: A hypocrite is a guy who writes a book on atheism, and prays it sells.” (p. 15).The biographical pages in Shone's book are few compared with the biographies by Eric Lax and by David Evanier. However, the few pages vividly describe the dismissive attitudes of Mel Brooks's toward Woody as "a red-haired rat" and of Les Gelbert's as Woody Allen "looked to be all of six years old…. His previous writing credit, I assumed must have been learning the alphabet. He seemed so fragile, a tadpole in horn rims" (pages 19-20). In contrast, it's refreshing to read the wonderfully supportive role of agents Jack Rollins and his partner Charles Joffe to help develop Woody Allen as a stand-up comedian. "Allen pleaded with them to let him quit: 'I'm not funny, I'm not a comic, I can't do this, I hate it' and Rollins would always quietly remonstrate with him, 'Give it a little time' … Allen almost quit five or six times" (p 21)I compared Shone’s analyses of Woody’s film “Crimes and Misdemeanors,” one of my favorites, with two other books: “Woody Allen on Woody Allen: In Conversation with Stig Bjorkman” (published in 2004) and “Woody: The Biography” by David Evanier (published in 2015). Their analyses are considerably more detailed; Shone’s is compact and beautifully illustrated with color photos.As an up to date coffee-table book that includes brief essays on each of Allen's forty-five films including the most recent "Irrational Man," it merits five stars. Yeah, five shining stars for Mr Shine, oops, Mr. Shone.

I found the book lucid and easy to read. It is an affectionate but by no means a sycophantic view of Woody. He is pretty critical of some of the ill-starred 'serious' films like 'Interiors'. I found the book very physically heavy, too heavy to balance for reading in bed so I downloaded the kindle version of it and read the text on that device, looking at the pictures later, sitting at a table.

good documentary

I thought overall this book was really great. Most large format books on Woody Allen stop after his late 80's stuff, so anyone with a love for his more recent films should definitely pick this up.This book doesn't get into as much detail as Douglas Brode's "Films of Woody Allen" so folks really interested should pick up at least the 1991 edition (all of the earlier editions are great too, for their covers alone).Some familiar movie stills (esp from AH, Interiors & Hannah) are in color which is refreshing to see. I'd give this 4.5 if I could because I wish things were a bit more in depth, with 45 films for material I would have liked to see movie posters, candid photos, inspiration etc. in that dept. this book does lack.

Great!

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